Thursday, January 30, 2020

Queen Nefertari Essay Example for Free

Queen Nefertari Essay Queen Nefertari was the wife of Ramses II- the longest ruling pharaoh who reigned in the 19th Dynasty (1295-1255 B. C. ) which was from the 13th to 14th century and he continued to rule on on for seventy years. She married Ramses at the age of thirteen. Nefertari was also one of his many and favorite wives. She produced as many as ten children for Ramses among them two sons named Amonhirwonmef, Prehirwonmef, and two daughters named Merytamon and Mertatum. Her birth parents remain a mystery but it is determined that she is of royal heritage. Nefertari had a brother by the name of Amenmose who was the mayor of Thebes during her rule as queen. She was of high importance and because most portraits or pictures painted by ancient Egyptians are with Ramses II, this may mean she might’ve had a major political influence on Egypt. Queen Nefertari was not the only queen present during the rule of Ramses II, he had a household filled with many queens. His children were estimated at one hundred or more. Nefertari’s disappearance still is considered as a mystery although her tomb has been found and remains a precious treasure to Egypt. It is located in The Valley of the Queens. Ramses referred to Queen Nefertari as the â€Å"most beautiful one† which is one of her many names she is known by. Nefertari Mery-en-Mut name meant â€Å"most beautiful beloved of the goddess Mut. † Her full range of titles were â€Å"Great of praise†, â€Å"Sweet of love†, â€Å"Great royal wife†, â€Å"Lady of charm†, â€Å"Great royal wife, his beloved†, â€Å"Lady of the two lands†, â€Å"Lady of all lands†, â€Å"Wife of strong bull†, â€Å"God’s wife†, â€Å"Lady of upper and lower Egypt. Ramses also referred to his wife as â€Å"The one for whom the sun shines. † Nefertari married Ramses at the tender age of thirteen. Although very young she held the responsibility of being queen very well, going even as far as accompanying Ramses on one or two of his battles. It is said that Nefertari is of royal heritage, but her birth parents remain a mystery. Some Egyptologists think that she was probably the daughter of King Seti I, and thus sister or half sister of Ramses II himself. Other Egyptologists, however, think that her designation as â€Å"Hereditary Princess† might be in some way connected with her being representative of Thebais. The tomb of Queen Nefertari was discovered in 1904 and forbidden to take pictures of. More than 50 tombs mention her name. Nefertari out lived her husband by a number of years which her mummy indicates sh died around 70 years of age. She passed away sometime during Ramses 25 reigned year. After her death Isetnofret became his new principal wife. Queen Nefertari became royal at the age of thirteen and since then she has always been known for that and her beauty.

Wednesday, January 22, 2020

Nature Imagery and Themes in Charlotte Brontes Jane Eyre :: Jane Eyre Essays

  Ã‚  Ã‚   Charlotte Bronte makes use of nature imagery throughout Jane Eyre, and comments on both the human relationship with the outdoors and human nature.   The Oxford Reference Dictionary defines "nature" as "1. the phenomena of the physical world as a whole . . . 2. a thing's essential qualities; a person's or animal's innate character . . . 4. vital force, functions, or needs."   We will see how "Jane Eyre" comments on all of these.   Ã‚  Ã‚  Ã‚  Ã‚  Ã‚  Ã‚   Several natural themes run through the novel, one of which is the image of a stormy sea.   After Jane saves Rochester's life, she gives us the following metaphor of their relationship: "Till morning dawned I was tossed on a buoyant but unquiet sea . . . I thought sometimes I saw beyond its wild waters a shore . . . now and then a freshening gale, wakened by hope, bore my spirit triumphantly towards the bourne: but . . . a counteracting breeze blew off land, and continually drove me back."   The gale is all the forces that prevent Jane's union with Rochester.   Later, Brontà «, whether it be intentional or not, conjures up the image of a buoyant sea when Rochester says of Jane: "Your habitual expression in those days, Jane, was . . .   not buoyant."   In fact, it is this buoyancy of Jane's relationship with Rochester that keeps Jane afloat at her time of crisis in the heath: "Why do I struggle to retain a valueless life? Because I know, or belie ve, Mr. Rochester is living."      Ã‚  Ã‚  Ã‚  Ã‚  Ã‚  Ã‚   Another recurrent image is Brontà «'s treatment of Birds.   We first witness Jane's fascination when she reads Bewick's History of British Birds as a child.   She reads of "death-white realms" and "'the solitary rocks and promontories'" of sea-fowl.   We quickly see how Jane identifies with the bird.   For her it is a form of escape, the idea of flying above the toils of every day life.   Several times the narrator talks of feeding birds crumbs.   Perhaps Brontà « is telling us that this idea of escape is no more than a fantasy -- one cannot escape when one must return for basic sustenance.   The link between Jane and birds is strengthened by the way Brontà « adumbrates poor nutrition at Lowood through a bird who is described as "a little hungry robin."   Ã‚  Ã‚  Ã‚  Ã‚  Ã‚  Ã‚   Brontà « brings the buoyant sea theme and the bird theme together in the passage describing the first painting of Jane's that Rochester examines.

Monday, January 13, 2020

Disgrace Essay

In Disgrace by J. M. Coetzee we are introduced to David Lurie, the protagonist and narrator of this novel. David Lurie is a 52 year old divorced man, who lives in Cape Town, South Africa, as a respected romantic poetry professor at a university. His life is full of sexual, non-committed relationships. After being accused of inappropriate behavior with a student, Lurie loses his job at the university and must move in with his daughter, Lucy, in the country. Throughout the novel we see many references to animals, especially in relation to Lurie.Because he is the narrator of the novel, these animal references lead the reader to believe Lurie is describing himself through these animals. Lurie uses descriptions of animals as a way to describe how he feels about himself. We see Lurie go from a sexually charged predator, to a strange beast who has been hunter, to a dog-man, and then finally to a helpless dog who is ready to be put out of his misery. David Lurie is a predator at the beginnin g of the novel. He is a man searching for sex, and for the most part he is successful at it.His first sexual interest he introduces us to is Soraya, a prostitute who he has been going to see for a long time. Lurie describes them having sex by comparing them to snakes engaged in intercourse, â€Å"lengthy, absorbed, but rather abstract, rather dry, even at its hottest† (Coetzee 5 ). Being the narrator, this shows the reader how David views himself, as well as Soraya, as cold, scary, almost evil, creatures, like snakes. Snakes give off a very negative emotion because they are dangerous animals, and this comparison leads us to believe David too must be a dangerous animal.Soraya eventually tries to cut ties with David, but David being the predator he is cannot let his prey go. He is able to find Soraya’s home phone number and when he calls her she is livid he would cross that line. â€Å"But then, what should a predator expect when he intrudes into the vixen's nest, into the home of her cubs? † (Coetzee 10). Soraya is a mother, and feels like David calling her home is going to be a threat to her family, especially her children. The next instance where we see David describing himself as a predator is during his first sexual encounter with his student, Melanie.David is very persistent in sleeping with Melanie, and once he has finally chased her down he describes the experience as â€Å"like a rabbit when the jaws of the fox close on its neck† (Coetzee 25). He is well aware by making this statement that Melanie does not want to be in this situation with him, but he does not care, he has been chasing this prey for too to just let it go. This is not the last time David engages Melanie regardless of her strong reluctance however, and Melanie eventually has enough and reports Lurie to the University where he teaches.David Lurie goes from being the predator, to now being the one who is being chased. He is being chased by the University committe e who is investigating David’s indiscretions with Melanie. The committee is described by Lurie as â€Å"hunters who have cornered a strange beast and do not know how to finish it off. † (Coetzee 56). The tables have turned and Lurie is now this strange beast that has been hunted down. David refuses to apologize however, and instead loses his job.Lurie could have simply said sorry for his actions and he would have had a chance to keep his position at the University, but in his mind he did not do anything wrong. He compares himself an old neighbor’s dog, saying that every time a â€Å"bitch† would be in the yard the dog would become so excitable that he could not be controlled. The dog was not allowed to go through with his natural desires, which caused the dog to act strange and just run around the garden â€Å"with its ears flat and its tail between its legs, whining, trying to hide. (Coetzee 69 ). David sees himself in this dog, he is being punished and being told he is not allowed to do something that feels so natural to him. He says that the dog would have preferred to be shot over being denied its natural urges. David chose to be shot (lose his job) when he refuses to express that he did anything wrong by sleeping with Melanie. After losing his job David must go live with his daughter, Lucy, out in the country.While living with Lucy, David goes through a lot, and through helping take care of her dogs we see a softer side of him through his descriptions of these dogs. â€Å"The dogs are brought to the clinic because they are unwanted,† (Coetzee 146) Lurie says. He cares about the dogs because he too feels unwanted. â€Å"Well, now he has become a dog-man. † (Coetzee 146) David is one with these dogs, abandoned and miserable, unable to live the lives they want to be living. The dogs and David are trapped out in the country on a farm just waiting for the end.David finally does give up and we see this through his deci sion to put down the dog that he had become very close to, Driepoot, the young dog David â€Å"has come to feel a particular fondness for† (Coetzee 214-215). David had bonded with Driepoot, even signing his Opera to the dog at one point. He felt sorry for Driepoot, he felt very much like the dog. In the end of the novel, by choosing Driepoot to be put down â€Å"a (his, the dog’s) time must come, it cannot be evaded† and carries the dog, â€Å"the one who likes music† (Coetzee 219), to Bev where he will be killed.In the last sentence of the novel David states that he is â€Å"giving him up† (Coetzee 220), which is essentially David stating the he is the one giving up. Like Driepoot, David Lurie is being put out of his misery. David Lurie’s life goes through dramatic changes throughout the novel Disgrace. A once respected professor, he becomes â€Å"a mad old man who sits among the dogs singing to himself. † (Coetzee 218). Lurie uses d escriptions of animals as a way to describe how he feels about himself.He goes from a predator whose main focus in life is satisfying his sexual desires, to a man who feels like a ‘strange beast’ that has been hunted by the University. David then turns to his daughter’s farm where he begins working with dogs and we see a softer David Lurie, a man who feels like the abandoned dogs who are waiting for their end to come. By the end of Disgrace we see that David is ready to accept his own end, he wants to be put out of his misery just like he does for the dog he has bonded so much with. Works Cited Coetzee, J. M. Disgrace. New York: Penguin, 1999. Print.

Sunday, January 5, 2020

An Evaluation Of The Homeless Call Center - 874 Words

Before seeing me, Precious was given paperwork to read that included an Informed Consent and Confidentiality form. She signed her name stating that she understood. However, when I discovered that she was on a 6th grade reading level, I went over the information with her about appointments, confidentiality, and record keeping. I didn’t get into fees and insurance too much because this is a nonprofit that offers services free of cost. Precious replied that she had heard it all before, but the conversation did help establish rapport. The homeless call center directs people to the different agency’s that could benefit them. For example, military veterans have a special shelter that works to fit their specific needs. This agency’s field area is for youth and teenagers. In Precious’ case, she is 16 and has two young children; she is going to need special help with being a young single mother. We can also offer services more common for minors in this group, such as having a lawyer who does pro bono legal services for emancipation cases. Jean Piaget pioneered that idea that children mature in their logical reasoning rather than by learning it. He developed a structured approach to cognitive development in four stages: the sensorimotor period, pre-operations period, concrete operation period, and formal operational period. Beginning at about 11 years old, the â€Å"Formal Operations† stage is during which persons develop the ability to think abstractly using hypothetical reasoning,Show MoreRelatedThe Lazarus Project And Grace Ministries : The Role Of Religious Nonprofits On Addressing Personal And Social Problems1391 Words   |  6 Pagessocial work with a focus on areas such as employability, finances, relationships, addictions, and health and other, more informal approaches to helping. 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